The buzz on my social media feed today is all about Miley
Cyrus and her “spectacle” during the 2013 Video Music Awards ceremony. What did I
think about it? I kept getting asked. My initial reaction was, “Miley who?”
I relented and hit “The Google”. Aha, a child actress on the Disney children’s show, Hannah
Montana. That explains my unfamiliarity with Miley, as I don’t watch many
kids’ shows these days. She went on to become a 20-year-old singer with an
unimpressive voice but a famous country music singer father and her own
Disney-enhanced celebrity. (These days, talent always take a back seat to
celebrity). Through the time machine known as YouTube, I was able to view the
astonishing half-life regression of
Miley Cyrus’ brief musical career, from wholesome teen to punk slut.
Then, I viewed the infamous six-minute VMA clip. Miley enters
a stage filled with giant Teddy bears, dressed in a skimpy mouseketeer T-shirt
(the mouse ears double as her bra) and spandex shorts. She vies with Gene
Simmons for the title of most active tongue in a music video; simulates sex
with her partner (not to mention with a foam finger); and strips down to her
underwear for gyrations that would make any pole dancer proud.
Was it any more inappropriate than what passes for
entertainment in hip hop videos or even the shot of Lady Gaga’s bare posterior
viewers were treated to in the opening of the same VMA show? Not that two
wrongs make a right, but it is rather hypocritical to criticize Miley for doing
what others have done, merely because she did it more effectively. Let’s face
it, her goal was to create a buzz, and that’s exactly what she did. Love it or
hate it, Miley got a million dollars of publicity in six minutes. We’re talking
about her — she won.
Not that I mind watching a 20-year-old strip to her
underwear and give me a lascivious lap
dance in my living room. Every man I know is agreeing with his wife or
girlfriend how awful the video was… right before they replay it. But I must
admit to professional jealousy: as a creator of entertainment attempting to
market my own work, I realize Miley managed to get more people to view her work
in six minutes than will ever view mine in my entire lifetime. Which I find
rather sad.
I lied. I do watch some children’s shows, on occasion. This
week, I've been fortunate enough to be introduced to The Sarah Jane Adventures.
Up until a month ago, I had never seen an episode of Doctor Who, so I didn't
know Elisabeth Sladen had played the Doctor’s sexy companion when she was in
her late 20s. My first exposure to her came as she reprised her role as Sarah
Jane Smith, reporter and intrepid heroine, 30 years later. She was the
eponymous star of The Sarah Jane
Adventures, playing a warm-hearted, brilliant, and adventurous older woman. Not merely a role model for girls, Elisabeth Sladen portrayed her character with such grace and class
that Sarah Jane Smith became more relevant and independent with age. At 65, Elisabeth
Sladen was nonetheless sexy and vivacious; arguably she became more attractive
with age, like a fine wine.
Elisabeth Sladen died last year. Cancer. She worked up
until the end, leaving behind two generations of fans, old and young. Her
performances were marked by grace and class. Her character showed girls they
could grow up to be smart, self sufficient, and remain attractive as they age.
Elisabeth Sladen proved true Eleanor Roosevelt’s adage: "Beautiful young people are accidents of nature, but beautiful old people are works of art.”
Take notes, Miley.